{"id":5120,"date":"2011-07-04T11:22:35","date_gmt":"2011-07-04T11:22:35","guid":{"rendered":"https:\/\/www.secretcityrecords.com\/2011\/07\/04\/scr020-aspentimes-review\/"},"modified":"2011-07-04T11:22:35","modified_gmt":"2011-07-04T11:22:35","slug":"scr020-aspentimes-review","status":"publish","type":"post","link":"https:\/\/www.secretcityrecords.com\/2011\/07\/04\/scr020-aspentimes-review\/","title":{"rendered":"High Twilight – Aspen Times review"},"content":{"rendered":"

There’s a little bit of Leonard Cohen when he sings in French on \u201cJ’habite un pays\u201d … a little latter-day Bob Dylan on \u201cThe Hours\u201d; and a whole lot of artists like Calexico, Fleet Foxes and Josh Ritter, who are rooted in folk but adamant about using the full range of instruments and production techniques available.<\/p>\n